‘Silverback Mountain’: Chaos and kooks in the jungle

‘Heated Rivalry’ musical parody: Slap shots and slapstick

‘Dog Day Afternoon’: A botched caper, a bold queer love story

The visual fight: How posters chronicled NYC’s AIDS crisis

DJ James Anthony brings down the house with Unspeakable Joy

‘Bum Bum: Or, This Farce Has Autism’ subverts tropes to attain authenticity

‘Little Bear Ridge Road’: Stumbling towards connection

‘Fight Back’ turns theatergoers into 1980s ACT UP activists

‘Saturday Church’ review: Finding salvation in unlikely places

‘House of McQueen’: A dazzling mix of biodrama and fashion

‘Can I Be Frank?’: Solo show honors a comic queer pioneer

‘ta-da!’ review: A heartfelt romp full of magic and mayhem

‘Prince Faggot’ review: A raw subversive royal fairy tale

A new wave of books celebrating queer spaces

‘I’m Assuming You Know David Greenspan’: A solo show with multiple characters and metatheatrics

Paul Mescal dazzles in a stripped-down ‘Streetcar’