Meandering and unfocused, ‘The Queen of Versailles’ collapses under its own weight

A powerful ‘Richard II’: Michael Urie brings insight, depth, and passion to Shakespeare

‘I’d like to play the old lady’: Todd Buonopane on his role in renewed ‘Tartuffe’

Sing a song of America: The revival of ‘Ragtime’ is not to be missed

Jordan E. Cooper, writer of ‘Oh, Happy Day,’ shares his process, growth, and faith

Do I stay or do I go? Actor Alan Ceppos on the new play ‘Art of Leaving’

Douglas Carter Beane’s ‘Finding Dorothy Parker’ revives the legacy of a witty 1920s writer

Shakespeare in the Park is back with ‘Twelfth Night’

The great escape: ‘Lord Nil: 7 Deadly Sins’ takes New York

Darwin Del Fabro channels Lili Elbe in one-woman show

‘Heathers the Musical’ is bursting with talent, but questions remain

Coming of age, country style: ‘Beau the Musical’ is a heartfelt, heartwarming tale

‘My Son’s a Queer’ finally making NYC debut

‘Bowl EP’ is a masterpiece of queer theater — and a bold, imaginative experience

On Broadway, ‘Old Friends’ highlights Sondheim’s genius

Come to the cabaret: Michael Ferreri brings outstanding show to NYC